At this point it seems undeniable that 2019 is the year of black metal. The parade of excellence has been nearly unending; Yellow Eyes, Remete, Saor, Vanum, Vimur, Akasha, even total shockers like Murg's latest have exceeded expectations. Thus, it comes as little surprise now that Ancient Hostility, a brand new Ukrainian/American duo (most of the work done by Ukraine's SadVoice while Imber provides vocals from the US), have succeeded in slipping their self-titled debut into my list of favorites for the year.
At first appearing fairly normal, Ancient Hostility soon advance beyond the well trodden boundaries of dissonant hellfire black metal into more interesting territory. Not that their take on it is stale in the first place, there's an unusually weighty low end to the album and the riffs, while not as demonically concocted as some from the famous Icelandic scene, vary wildly between straightforward tremolo barrages to doom dirges and death metal thunder. Dismal melodies dance on top of the often pummeling riffs so that there's always a multi-dimensional sound, a foundation laid to maintain atmosphere and imagery while the guitars paint grim portraits from the abyss. "Bloodied Fields", found late in the back half, betrays the duo's ambitions beyond just nihilistic BM. It's a startling melodic song backed with the same colossal low end, but with truly beautiful and meditative sounds overhead. It's not long though that we see a return to pummeling riffs and even some spastic breaks akin to something you might find in metalcore were it not for the murkier paint job. Ultimately not as adventurous as their follow-up will likely be, Ancient Hostility still impress greatly with a varied and well executed debut that sets up grander things in the future.
With So Much For The Tolerant Left, Neckbeard Deathcamp return with a second full length helping of what they do best; piss off Nazis and play some loud, proud, and unapologetic black metal. Surprisingly, deep analysis of their music does little good for anyone. By their own admission via the description on their bandcamp page, the album was "RECORDED WITH THE SAME CONTEMPT FOR CLEAN PRODUCTION AND MUSIC THEORY" as their previous record. Yes, it really was in all caps. That's just kind of their thing.
What can be said of the actual music is short and sweet. Neckbeard Deathcamp play a vicious, frenzied variant of war metal pissed on by harsh noise and guitar feedback. Aside from "HORSESHOE THEORY" which is a ten minute exercise in droning noise, every song here is a 3-4 minute banger or an interlude with some dumbass quote from an alt-right dude. The songs are graced with satirical takes on the alt-right for titles, such as "POZERFAUST DIVISION" or "CONSERVATIVE CRYBULLYING". That's all that really needs said. They make it clear which side of the fence they're on and people that don't like it tend to fall on the other side. The message is clear; make no apologies and have no mercy.
Axis of Advance is a descendant of Canadian war metal royalty. Including members of Ross Bay Cult legends Conqueror and Revenge, in 1998 Axis of Advance rose from the ashes of seminal blackened death metal act Sacramentary Abolishment, who fractured after the departure of drummer/vocalist Paulus Kressman (who then went on to form the equally as impressive Rites of Thy Degringolade). The two remaining members, Vermin and Wor were then joined by legendary drummer James Read, a veritable deity in the underground metal scene, to create Axis of Advance. Strike is one of my favorite war metal albums of all time, one that is somehow exactly and nothing like you'd expect all at once.
There are quite a few releases I am looking forward still in 2019, but none of them eclipse my excitement for the return of a certain triumvirate of bands. Connected not only through their intertwining lineage, but a thread of sonic filth, these acts have established themselves as some of the best death metal to come from the US in the last decade, and surely their upcoming efforts will only further their standing in death metal's putrid canon.
If you read my previous post regarding Prosanctus Inferi, you'll know that they are a band I hold in very high regards. After a six-year silence, I was worried they had died an innocuous death, but luckily I was wrong; they are alive, kicking, and gearing up for the release of a new album entitled Hypnotic Blood Art (release date TBA). It would seem Pulpit Sycophants a demo that has so far only been released via Youtube, consists of rough versions of this upcoming full-length. Despite their being incomplete, the material on Pulpit Sycophants is impressive nonetheless, and seems to hint at the band returning to the bestial and crude blackened death metal they wielded on their earlier releases like Pandemonic Ululations of Vesperic Palpitation. Despite my love for their last record Noctambulous Jaws Within Sempiternal Night and its more pronounced death metal influence, I am still very much looking forward to what's coming next.
C O M M O N T H R E A D: Vocalist/guitarists Jake Kohn served as the bassist for Father Befouled from 2009 to 2012, appearing on two full-lengths and one split. Oh, and speaking of Father Befouled....
When I first discovered Father Befouled, they were EASILY my least favorite of the three bands included in today's post; don't misunderstand, I still thought they were a fantastic band, but they didn't quite hit me like the other two projects. This internal ranking was shaken with the release of their last album, the excellent Desolate Gods. Like their previous entries, Father Befouled still promulgated a particularly doom-y and Incantation-esque version of death metal, however UNLIKE the albums that proceeded it, there were these insanely brief moments of melody that shone through the dirt and grime. Whilst melody in death metal isn't exactly groundbreaking anymore, it is rare that a band as dirty and cacophonous as Father Befouled to feature anything of the sort, and the result truly elevated the piece above not only their prior efforts, but many of their peers (**cough Incantation included cough **). With their upcoming EP Holy Rotten Blood, it is unclear if they will further indulge in this progression, but the slight chance of it alone is enough to be excited.
C O M M O N T H R E A D: Father Befouled's current frontman/guitarist Justin Stubbs is also the frontman of Encoffination, two-piece he shares with ex-Father Befouled drummer and multi-band extraordinaire Elektrokutioner. Which actually reminds me...
Encoffination - We Proclaim Your Death O' Lord (2019)
Encoffination are the slowest band I've ever heard in my fucking life. At first listen, they ALMOST seem like a parody of funeral doom. However, the further you delve into the bottomless pit of their music it becomes clear they are very serious about what they do. Imagine taking a single riff from Incantation (yes, they are a relevant comparison here too), stretching it out to ten minutes long, and adding a choir of unsettling atmsopherics not limited to but including the imposing ring of old, cracked bells and the inherently terrifying church organ. Utilizing these paragons of what should be light and then twisting their visage into something dark and wretched only makes their delivery more horrible and impacting, the exact effect Encoffination aim to achieve. We Proclaim Your Death O' Lord only promises to further instill fear in the religious and enthrall the blaspheming.
C O M M O N T H R E A D: If you've been paying attention, you get it by now.
Since its release in 2013, Prosanctus Inferi's diabolical sophomore effort Noctambulous Jaws Within Sempiternal Night has been a favorite of mine, but thanks to their recent announcement of an upcoming third album, Hypnotic Blood Art (release date TBA), I've dug back into Noctambulous... in a way that I haven't in a long time. I still find it the ultimate culmination of black and death metal; Jake Kohn's spits bile with every blasphemous word, his delivery reminiscent of the vaunted Peter Helmkamp in its guttural rasp. Musically, Noctambulous... is easily the group's most muscular and death metal-oriented outing to date, however it still oozes a charred and blackened atmosphere. In many ways, it's very similar to early Morbid Angel, rife with Azagthothian off-kilteredness and an underlying sense of esoterica. When it comes to war metal that isn't completely Blasphemy inspired, Prosanctus Inferi's Noctambulous Jaws Within Sempiternal Night is the best you're going to get.
